2024年-今:ACS (Association for Cultural Studies),文化研究协会会员
2023年-今:ISO/TC46/SC8 WG2工作组技术专家
2019年-今:Inter-Asia Cultural Studies Society亚洲文化研究学会会员
2022年-今:国家艺术基金专家库成员
多本英文核心期刊外审,如Sociological Forum, American Sociological Review, International Journal of Cultural Policy, International Journal of Cultural Studies, Continuum: Journal of Media & Cultural Studies, Critical Arts,Journal of Psycholinguistic Research, International Journal of Human-Computer Interaction, Behaviour & Information Technology, Sage Open, BMC Psychology, Curator: the museum journal, Global Media and China, Sociological Research Online, Frontiers in Communication, Journal of Culture Research等.
代表性科研成果:
1.期刊论文(*为通讯作者):
Mengyu Luo, J. Xiao* & Z. Wan. (2024) From Hongkew Ghetto to Shanghai Ark: urban transformation between representation and affect. 从虹口难民窟到上海方舟:表征和情感之间的城市空间转化. Geoforum. 152, 104012. DOI: 10.1016/j.geoforum.2024.104012 (SSCI, JCR Q2).
Mengyu Luo & R. Wang* (2023). Curating a continued dream: logistical power in Nanjing Imperial Examination Museum of China. 策划一个持续的梦:科举博物馆中的后勤化权力. Critical Arts. 37(6): 88-108. DOI: 10.1080/02560046.2024.2325637 (SSCI/A&HCI).
Qiang Liu & Mengyu Luo* (2023). Cross-cultural examination of music sharing intentions on social media: a comparative study in China and the United States社交媒体中音乐分享动机的跨文化研究:中美对比视角. International Journal of Human-Computer Interaction. 39(6): 1303-1313. DOI:10.1080/10447318.2022.2062838, (SCI/SSCI, JCR Q1).
Mengyu Luo & Jian Xiao* (2022). Institutional policing of Western heritage: the case of Shanghai Symphony Museum. 西方遗产的机构性管理:上海交响博物馆个案研究. Museum Management and Curatorship. DOI: 10.1080/09647775.2021.2023903, (A&HCI, SJR Q1).
Mengyu Luo, Jian Xiao*, & Wenyu Zhong (2022). Engaging with objects and feelings: The making of live music space in Shanghai’s livehouses 物体与感知:在上海的livehouse中构建现场音乐空间. Sage Open. DOI: 10.1177/21582440221123914 (SSCI, JCR Q2).
Mengyu Luo (2022). Power and identity transition in symphonic music: Shanghai Symphony Orchestra from the 1920s to the 1950s. 交响音乐中的权力与身份重置:20世纪20至50年代的上海交响乐团. Critical Arts: South-North Cultural and Media Studies. DOI:10.1080/02560046.2022.2066702, (SSCI/A&HCI, SJR Q2).
Mengyu Luo (2020). The omnivore turn in cultural production: case study of China’s Rainbow Chamber Singers文化生产中的杂食转向:中国彩虹室内合唱团个案研究. International Journal of Cultural Studies. 23(1): 81-101. DOI: 10.1177/1367877919875972, (SSCI/A&HCI, JCR Q1).
Mengyu Luo* & W. Ming (2020). From Underground to Mainstream and then What? Empowerment and Censorship in China’s Hip-hop Music从地下到主流然后呢?中国嘻哈音乐中的赋权与监管. Critical Arts: South-North Cultural and Media Studies. 34 (6): 1-12. DOI: 10.1080/10304312.2019.1587741, (SSCI/A&HCI, SJR Q2).
2.书籍章节/参编:
罗梦雨&钟雯玉(2024). The Birth, Death, and Revitalization of Chinese Popular Music in Shanghai 中国流行音乐在上海的诞生,消失与复苏,Homan, S., Strong, C., O’Hanlon, S., and Tebbutt, J. (eds.) Interrogating the Music City, Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781003300182-7/birth-death-revitalisation-chinese-popular-music-shanghai-mengyu-luo-wenyu-zhong.